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Please accept with our compliments a deluxe Eau de Parfum sample - an invitation to discover the new Dries Van Noten fragrance collection. This sample has been chosen for you based on the fashion items you have selected, but if you wish you may select another sample of your choice.

Santal Greenery
Santal Greenery
Fig & Santal
Sample Spritzer,
Soie Malaquais
Soie Malaquais
Chestnut & Silk
Sample Spritzer,
Jardin de l'Orangerie
Jardin de l'Orangerie
Orange Blossom & Santal
Sample Spritzer,
Sur Ma Peau
Sur Ma Peau
Bergamot & Vanilla
Sample Spritzer,
Rock The Myrrh
Rock The Myrrh
Myrrh & Smoked Wood
Sample Spritzer,
Neon Garden
Neon Garden
Mint & Iris
Sample Spritzer,
Fleur du Mal
Fleur du Mal
Osmanthus & Suede
Sample Spritzer,
Raving Rose
Raving Rose
Pepper & Rose
Sample Spritzer,
Orange Smoke
Orange Smoke
Orange Blossom & Incense
Sample Spritzer,
Rosa Carnivora
Rosa Carnivora
Rose & Vetiver
Sample Spritzer,
Voodoo Chile
Voodoo Chile
Rosemary & Patchouli
Sample Spritzer,
Cannabis Patchouli
Cannabis Patchouli
Cannabis Patchouli
Sample Spritzer,
Mystic Moss
Mystic Moss
Salt & Mandarin
Sample Spritzer,
Jardin de l'Orangerie
Jardin de l'Orangerie
Orange Blossom & Santal
Sample Deluxe,
Rock The Myrrh
Rock The Myrrh
Myrrh & Smoked Wood
Sample Deluxe,
Santal Greenery
Santal Greenery
Fig & Santal
Sample Deluxe,
Soie Malaquais
Soie Malaquais
Chestnut & Silk
Sample Deluxe,
Cannabis Patchouli
Cannabis Patchouli
Cannabis & Patchouli
Sample Deluxe,
Fleur du Mal
Fleur du Mal
Osmanthus & Suede
Sample Deluxe,
Neon Garden
Neon Garden
Mint & Iris
Sample Deluxe,
Raving Rose
Raving Rose
Pepper & Rose
Sample Deluxe,
Rosa Carnivora
Rosa Carnivora
Rose & Vetiver
Sample Deluxe,
Voodoo Chile
Voodoo Chile
Rosemary & Patchouli
Sample Deluxe,
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february 27th, 2024 — april 6th, 2024

Ruins of the Painted Day

Dries Van Noten is delighted to present 'Ruins of the Painted Day', an exhibition by Dustin Yellin at The Little House.

RUINS OF THE PAINTED DAY

Dustin Yellin tells stories that weave together the diverse forces of nature and technology. Through his multidisciplinary body of work, which includes object making, painting and animation, Yellin draws attention to the interconnectivity of all beings and things. His approach tunnels across traditionally siloed fields so as to crystallize the idea that both the human world, and all other worlds around us, are a collection of enmeshed networks - even if many are hidden.

Yellin’s glass works in particular, in which paint and images clipped from various print media are embedded within laminated glass sheets to form grand pictographic allegories, invite viewers to engage with the legions of their own consciousness and its embodied emotions, as well as that of our collective society and its infrastructures. The artist balances descriptive poetry with a prescriptive social practice so as to span new ways of seeing and being, and build a bridge to a more holistic world.

artist dustin yellin

INTERVIEW OF DUSTIN YELLIN

CAN YOU DESCRIBE YOUR CREATIVE PROCESS FROM THE INITIAL IDEA TO THE FINISHED PRODUCT?

I came out of the womb, my eyes opened, I gasped. For many moons, I tried to decipher what the body was, what the earth is. As I aged, I began to question everything that exists. I find it strange to eat animals. I am an animal. Memories stack up like sediment on my synapses. I bleed ideas that become maps of what I’m trying to understand, that then turn into the flesh of my practice.

IF YOU HAD TO DEFINE YOUR ART STYLE IN WORDS, WHAT WOULD THEY BE?

Cartographies of consciousness.

⁠HOW DO YOU SEE THE CONNECTION BETWEEN YOUR ARTWORKS AND DRIES VAN NOTEN?

When I was young and learning about fashion, I fell in love with Dries and wanted to get out of my dirty clothes. Dries has an affinity for drawing inspiration from natural phenomena. His tenacity for detail, use of color, poetic narratives, and meticulous precision make me want to ride on his shoulders through the forest.

⁠CAN YOU TALK ABOUT THE IMPORTANCE OF COLOR, TEXTURE, AND SPACE IN YOUR WORK?

Without color, I am sad. Without texture, I cannot taste. Without space, there is no time.

WHAT WAS THE MOST CHALLENGING PIECE ON DISPLAY FOR THIS EXHIBITION?

The Clatter of Ballistics.

Photography

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Ruins of the Painted Day

Ruins of the Painted Day

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The installation

The Installation
The Installation
The Installation
The Installation
The Installation
The Installation
The Installation
The Installation
The Installation

photo 1 / 11

Ruins of the Painted Day

Ruins of the Painted Day

The Installation
The Installation
The Installation
The Installation
The Installation
The Installation
The Installation
The Installation
The Installation

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